Sunday, September 25, 2011

sunday song... and a nightmare

I'm losing my mind ._.
I've put in ~20 hours doing problem sets this weekend. I'm still not done. (edit 10:35 - NOW DONE!) And all of my exams are crammed into the next two weeks. Last night I went to a live jazz thing with some friends to try to unwind a bit. Got to sleep at 4:30am after people stopped screaming outside in drunken jubilation.
And then I had a nightmare.  By far the scariest one in a long time. So on my speaker, I had this guy:
He's been chilling on my speaker since my senior year in high school. I don't remember where I got it, but I think it's nearly as old as I am. It's mute now, but go back ten years and he would spit out grumpy boss quotes if you squeezed the center. It was all fine and dandy, and amused me whenever I saw it.
But last night it went completely bonkers. I dreamed that I woke up (which is odd in its own right) and the boss was staring at me from my desk. And then it said, "Ain't so mute now, am I?" and its teeth began whirring like the chubb chubbs (go youtube it). It started flying and wrecking everything and made huge gashes wherever it hit me. I somehow had a shotgun, but it was absolutely useless.
illustration by Kyle (www.youtube.com/w0h0e0e0)
Apparently I woke up at some point, asked my roommate if he was okay, and then fell back asleep.
It's now sealed in here by ancient Asian magic. 
that's Chinese for "WHAT NOW BIATCH"
Call me ridiculous, but it was that terrifying. I only took him out to take the picture.
This week needs to go by very quickly.

Saturday, September 17, 2011

On performing

any tips on performing? i get really nervous and lock up every time...
Haha nice timing. I'm at home getting ready for a house concert on Saturday night, so it's a good time to put down some thoughts on performing. Good mental prep, you know?

The most important thing in performing is to be bulletproof in your playing.
I've been performing since I was 6 or something, on piano. So you could say that I have a lot of performance experience. Small audiences? Sure. Audience of 2000? No problem. But back then, I was just having fun. If you put me in front of a 2000-strong audience now,  you would see me trying to crawl off of the stage with a severe case of jelly legs. I didn't really know what was going on, even through middle school. Most of what I'm going to say is what I learned from my first "gig" earlier in July.
This time, I had a job. I had to keep diners entertained and happy while they munched on fancy food. It wasn't like the usual classical concert, where you'd go up and perform a piece that you practiced for months to a classical music loving crowd. It was a completely different game, but I learned so much from it (and the subsequent gigs that followed from it).

     The two weeks before the gig, I averaged around 7 hours of practice a day. I was that nervous, and wanted everything to be perfect. That's probably the worst mindset to have when you go into a performance. I was extremely nervous for the first few songs, and concentrated too much on analyzing my playing and technique. It was pretty soulless, and I berated myself for every tiny mistake I made. After my third song, Van Wagner (the awesome musician that I opened for, check him out at vanwagnermusic.com) waved for my attention and mouthed, "have fun."
     If you feel like you can't get into the zone, don't start worrying. That's the last thing you want to do! Analyze your playing offstage, not on the stage. You play music because you love it (I hope. Don't get me started on people who pick up guitar for other reasons). When performing, try to concentrate on that simple happiness you get when you play music, and everything will click. If you're having fun, the audience will have fun with you.
     In order for this to happen, though, you need to be "bulletproof." You have to be completely comfortable with the technique. The only way to get to that point is to practice. Repetition is the key. Practice over and over until your fingers are on autopilot. That way, you can free the rest of your brain to focus on adding expression to your playing, which is what really makes the music come alive.
     You'll get less nervous as you play more gigs, too. Or, you'll learn how to use the nerves positively. I still get super nervous when I perform, but now that helps me get in a performing mood. With each one, you'll focus less on yourself and more on making sure the audience has a good time. Give each gig your all, even if it's just a little house concert. Every person listening to you is important and deserves your best. And it could lead to another gig! Also, try to find someone that is better at doing what you're trying to do and do whatever they do. Seriously. I learned so much by watching Van handle an audience. It's also important to structure your playlist well. If you're playing at a new venue and no one knows of you, start big! Hit them with your flashiest playing to get a good impression right off the bat, and feed off of the crowd's energy from there.

Wednesday, September 14, 2011

Look at what I played today...

What?  A super rare vintage 1925 Martin 00-18?  Why yes, yes it is!
I've been seeking out the music stores in State College. Today, I took a jaunt to Music Mart. It's a great little shop, with really nice people. Definitely go check it out if you're in town.
Anywho, I was looking at pickups when the owner (Tom, great guy) walked out from the backroom. When I mentioned my cheap little Martin, he got a little gleam in his eyes and said, "you want to see a Martin?" and promptly disappeared into the back again. Then he came out with an old case and set it on a chair. And opened it.

You know those moments in cartoons where someone gets bathed in golden light while opening a treasure chest, with angels singing in the background? That's exactly how I felt. Wow.

Forget about the guitar's rarity for a second. It sounded divine. I'd often heard that pre-war Martin guitars sounded great because of the lighter bracing pattern. But wow, did this thing sing! It was so clean and balanced, with really sweet mids and a bass that gently envelops you in a soothing bath of harmonic overtones. And it was so loud! For a little parlor guitar, the thing projected more than any large dread guitar I've ever heard.
Structurally, it was in really good condition. It was my first time playing a 12-fret neck, and the V-neck contour was surprisingly comfortable. It had an ebony nut, which I'd never seen before. And it was so light! It honestly felt as light as a ukulele. And the resonance... it was breathtaking. I could feel every note run through my arms, and I felt like my whole body was a subwoofer.

Tom was thinking of selling it for $4500. It could easily go for double that! Guitar will never be the same. That Martin broke me. No guitar I'll ever own can compare with it. Unless I win the lottery and get a handmade one or something...

Monday, September 12, 2011

randomness

This seems to be turning into a sunday music blog! I've been too lazy to write a half decent post, and haven't gotten blog-worthy questions lately. Roy M., I do think that rice has flavor. Thanks for asking -.-
I don't want this to turn into a sunday music blog, so I'm just going to type and not hit the backspace key for a few minutes. 
College? Nah, I'll talk about that in a later post. That deserves some organization.
I've spent a lot (too much) time looking at cars lately. I love driving, and having a car would be quite convenient for me. I really want a car. In particular, this one:
but not in white
Yes. The 2012 Volkswagen Beetle. It's beautiful. Jon, a Beetle? Seriously?
Seriously. It's not quite the cutesy-little-charming-ball-of-smiles that the previous model was. No, this is different. The 2012 Beetle is more like the sleek, sporty offspring of the classic Beetle and a Porsche 911.
this
and this
...
= this?
I guess that's how the car stork works. It's the best of the Beetle and the best of the Porsche 911, all in one! The car got a nice performance boost, too, with a 200bhp 2.0l turbocharged 4 cylinder (or 170hp 2.5l inline 5), with VW's DSG dual clutch transmission. DSG would be really cool. Basically, you can set it in automatic mode, or you can manually shift using the stick or a set of paddles behind the steering wheel. And since it engages the gears above and below your current setting, it shifts insanely quickly, in 8ms or something ridiculous like that. So under the hood, the 2012 Beetle is pretty much a VW Golf GTI. But it looks much, much better. Compared with the previous Beetle, it has a sportier drive but still gives off that Beetle vibe. And it still has a classy Beetle interior!
Gah enough about cars.

Also, my "My Heart Will Go On" video has been watched in nearly every country in the world! According to YouTube's Insight thing, it has not been watched in North Korea, Svalbard and Jan Mayen, Burma, Pakistan, Turkmenistan, Zimbabwe, Congo (DRC and Republic), Somalia, Niger, Western Sahara, Burkina Faso, and Eritrea. Cool beans!

I think that's enough for tonight.  My sleep schedule got really messed up this weekend, for reasons I may disclose in a later post. Yes, I think I shall blog about college next time.

this template and my dark guitar picture makes for a super dark combo. Any ideas for a lighter theme?